According to G.W Hardin, the history of the solfeggio tones begins with King David, taken from the original sacred text….the Old Testament, David then passed the secret on to Solomon. Sometime after Solomon, the tones were lost. David was given six tones, which he tuned the strings on his lyre. These tones are all used in the Psalms, also created by David.
The mathematics of the tones matches the mathematics of the Psalms (gematria).
Solomon used the tones and the gematria in the creation of the Song of Songs. This was considered the most sacred of the Psalms. During the 1600’s the solfeggio tones were rediscovered by the Gregorian Monks who used tones to create their chants, at the time the solfeggio tones were based on five notes. Later, a sixth note was added, an example has recently surfaced the great hymn to John The Baptist.
These were based on the discoveries of Pythagoras and his harmony of the spheres. These also were later lost.
In the 90s, Dr. Joey Puleo was given the secret of the gematria in a vision and the actual frequencies, in appearances of Jeshua and an angel that Dr. Puleo did not name. After the turn of the millennium, Joseph Crane was told in an appearance of Archangel Michael that two solfeggio scales existed — one profane and one sacred. The sacred solfeggio has been known as the “secret solfeggio.” Joe Crane had discovered six of the frequencies to the sacred solfeggio and then added a seventh, all to be used in healing. Michael and Gabriel verified the existence of the tones, and more recently told Crane that a subset of the frequencies existed, called the Divine Masculine frequencies.
In the last year the code of both solfeggios was cracked by G.W. Hardin, through the guidance of Archangel Gabriel, and shown to be linked together mathematically. During the process, yet a third set of solfeggio frequencies showed up in the mathematics. Using what is called the
Pythagorean skein, the third set is made up of the sum of the first two sets. What also showed up was an entire fractal system of solfeggios that affect specific parts of the bodies. The tones are currently being played worldwide to heal and advance the planetary consciousness.
The affirmation that is to be used with the solfeggio tones is
“I CHOOSE TO BE WHOLE AND COMPLETE IN GOD’S DIVINE IMAGE.”
You may want to cut it and tape it up in a visible spot where the tones are playing. It is strongly recommended to play these tones only with loving intent for oneself and for others. We celebrate the return of the sacred tones to humanity.
In the year 1905, Albert Einstein proved that we can break matter down into smaller components and that, when we do, we move beyond the material realm and into a realm in which everything is energy.
This is the Law of Vibration, a law of nature that states that ‘nothing rests; everything moves; everything vibrates.’ The lower the vibration, the slower the vibration; the higher the vibration the faster the vibration.
Just a few more pages…
This is an example caption
Albert Einstein stated: “Concerning matter, we have been all wrong. What we have called matter is energy, whose vibration has been so lowered as to be perceptible to the senses. There is no matter.” All matter beings vibrate at specific rates and everything has its own melody. The musical nature of nuclear matter from atoms to galaxies is now finally being recognized by science.
That is why these frequencies are so powerful. They can literally bring you back to the original tones of the heavenly spheres and put your body into a balanced resonance. Solfeggio’s music is the key to the Universe. You can either throw it away or you can use it to find healing and harmony, health and well-being. Just play the music! Sound and vibrations can activate your DNA In 1998 Dr. Glen Rein of the Quantum Biology Research Lab in New York performed experiments with in vitro DNA. Four styles of music, including Sanskrit and Gregorian chants that utilize the 528 Hz DNA repair frequency, were converted to scalar audio waves and played via a CD player to test tubes containing in vitro DNA. The effects of the music were determined by measuring the DNA test tube samples’ absorption of UV light after an hour of exposure to the music.
